commercial photography
From boardroom portraits to product launches.
Brief me. I’ll take it from there.
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Commercial Photography
Commercial photography covers more ground than most people expect — and that’s the part I love. I’ve captured everything from; Law school recruitment campaigns shot on location with students. Boardroom headshot days for teams of twenty. Product launches, brand campaigns, editorial portraits, apps in the wild. Every brief is different. Every set gets the same level of preparation and creative direction.
Four galleries, four different kinds of work. Browse and see what resonates with your brief.
commercial brand-story
Architecture + interiors
industry
PRODUCT (lifestyle + flatlay)
Places
you may have seen my work
Why people choose my studio
Some clients have been booking me for decades. Not because they’re loyal out of habit — because when you find someone who shows up prepared, runs a clean set, and delivers exactly what the brief called for, there’s no reason to look anywhere else.
It works both ways. By the second or third project I already know your brand, your team, your standards. We’ve done the rapport-building. So instead of starting from scratch every time, we get to push further — more creative, more confident, more interesting work.
Here’s what that looks like in practice:
My promise to You
Whatever the Brief
Before we ever arrive on set, you’ll already know exactly how the day is going to go.
The discovery call is where I ask the questions most photographers never think to ask — about your audience, your end use, your team, your timeline, and what success actually looks like for this project. I share my approach, we talk through past work, and by the end of it the brief is tight and the plan is clear.
So when shoot day comes, there are no surprises. Just a photographer who already understands your brand, a set that runs efficiently, and images that look exactly like the ones we talked about — and more often than not, better. We walk in with a plan, but the best frames of the day are usually the ones nobody planned for.
getting started
Begins with a conversation.
Book a discovery call and come with your brief — even if it’s half-formed. We’ll talk through the project scope, your timeline, locations, shot list, and any production elements that need coordinating. By the end of it you’ll have a clear picture of the plan, the investment, and what happens next.
No inbox back-and-forth. No guessing. Just a focused conversation that gets us both to a yes faster.
the Investment
Every commercial project is scoped individually — but these starting points will give you a feel for what to plan for. If you’re not sure where your project lands, that’s exactly what the discovery call is for.
2 HOURS — $1,495
The right entry point for focused projects. A product shoot, a team of two or three, a key location, a specific campaign moment. Enough time to do the work properly without unnecessary padding.
HALF DAY — $2,195 (up to 4hrs)
Room to breathe. Multiple locations when necessary, a larger team, or a broader shot list — the half day gives us the flexibility to move through the brief without rushing.
FULL DAY — $3,195 (up to 8hrs)
For the projects that need the full treatment. Multiple locations, large teams, product catalogues, campaign days. A full day means we can work methodically, handle the unexpected, and still capture everything on the brief.
All Sessions Include:
A note on deadlines: emergencies are rare in photography — but commercial work is one place they show up. I work to deadlines and take them seriously. I just need to know yours before we begin so we can plan accordingly.
PRODUCTION EXTRAS TO CONSIDER:
Depending on the scope of your project, additional elements can be coordinated and will be itemised in your proposal:
Location rentals / Production assistants / Hair and makeup styling / Video clips (finished, edited, ready to use) / Specialty equipment rentals (as required) / Travel (for projects outside Eastern Ontario)